Watch ghostlab movie#
We’re dropped into the middle of sequences that would be stretched over five minutes of cheap tension in the American telling of this story, and while Purijitpanya’s crudeness results in a whiplash that makes the movie feel like it’s pinballing between genres rather than mixing them together, the approach is mighty effective at keeping you on your toes and locked into the moment at hand.Īnd it’s a good thing, too, because the “Ghost Lab” approach to storytelling results in a pretty grim prognosis.
Many of these bits are played for laughs (“That movie ‘Shutter’ is bullshit,” one of the characters says after discovering that ghosts don’t appear on camera), but it’s jarring to see how fast “Ghost Lab” transitions from slapstick comedy to - say - a CCTV shot of a wheelchair rolling down an empty hallway.
Watch ghostlab tv#
“Ghost Lab” shares its characters backhanded determination to move beyond the shlock logic of ghost-hunting TV shows, and the first 30 minutes of Purijitpanya’s film watch Wee and Gla poke around the darkest corners of the hospital as they try and discard all of the tactics used on A&E. Gla counters that people thought mammals couldn’t lay eggs until they discovered the platypus… BOOM. Wee argues that the Large Hadron Collider at CERN didn’t detect any ghosts, so it’s stupid for two glorified med students to think they can find particles of proof. We’re off to the races from there, as our bumbling (yet fiercely dedicated) heroes turn some unused hospital space into the titular ghost lab, and launch into all sorts of giddy, faux-academic conversations about the nature of their experiment. Wee and Gla aren’t freaked out so much as they’re electrified: These men of science have always wanted to believe there’s life after death, and now they’re motivated to collect hard evidence.
The next thing you know, these doofuses come face-to-face with the charred ghost of a recent burn victim near the hospital vending machine, and while the apparition lunges at the camera like it’s auditioning for the next James Wan movie, the hilariously melodramatic music that Purijitpanya chooses for the scene is enough to suggest that something bigger is afoot. These boys are both dumb-smart in a way that seems endemic to stories about power-mad teens and twenty-somethings - their convincingly brilliant minds generate nothing but harebrained ideas - and the melted cheese-rock guitar underscoring their first conversations makes it hard to imagine what kind of horror protagonists they’ll become. His puckish best friend Gla (Paris Intarakomalyasut) is a prankster who lives for the LOLs, but he’s also hiding a dark streak that traces back to a paranormal encounter from his childhood. Wee (actor/model/pop star Thanapob “Tor” Leeratanakachorn) is the more serious-minded of the two he became a doctor to care for his long-suffering mom, on her deathbed in the hospital’s long-term care unit for the better part of the past decade.
“Ghost Lab” kicks off as a clumsy horror comedy set in what seems like Bangkok’s emptiest hospital (this movie has more genres than extras), where a pair of young residents have been drawn to the medical profession for their own morbid reasons. How 'Stranger Things 4' Sets Up the Final Chapterġ9 Best Erotic Thrillers, from Adrian Lyne to Brian De Palmaġ0 LGBTQ Film and TV Creators on the Rise, from Jerrod Carmichael to Isabel Sandoval 'Stranger Things 4' Spoilers Review: An Exhausting End Lives and Dies in the 'Mind Fight'
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